Feminism seems to be gaining momentum in many countries, but most organisations and groups are still working based on patriarchal standards. The “feminisation of politics” includes different elements, which all aim to change the way activism and politics (in a broad sense) are done.
Soraya Bahgat shared her journey as an “accidental activist” and social entrepreneur. While working as Head of HR for a leading Egyptian real estate developer, she founded a volunteer movement to combat the pandemic mob-sexual assaults that had plagued Tahrir Square during the 2011 revolution.
Under Power. Care. Municipalism. Creativity. Feminisation. Conviviality. Commoning. Activism. Ethics. Solidarity. Empathy. Internationalism. Citizenship. Generosity. Decolonisation. Collaboration. Storytelling. Agency. Systemic Change. Hope. Non-violence. Learning. Humour. Sociality. Invention. Listening. Diversity. Humility. Resistance. Horizontality. Poetry. Cooperation. Discovery. Artivism. Migration. Rebellion. Vulnerability. Courage. Justice. Sharing. Struggle. Civil Imagination. Lived Experience. Joy...
According to the author, art institutions mirror today’s dominant powers. Sarah Vanhee wants a plurality of institutions connected to different, heterogeneous forms of living and being. A longing for a feminization, decolonization and queering of the art institutions. Looking for art institutions that do politics instead of presenting art programmes about politics, that take care of the people who work there and engage with them, support them on the basis of equal dialogue and lend themselves as tools.
In her article, Katja Praznik deconstructs the idea of artistic work as an expression of individual creativity independent from the economy and its processes. She demonstrates that this persistent ideology of autonomy of the arts contributes to the precarious position of artists and the exploitative working relations in the arts sector. Instead, she suggests to look at artistic work as labour, embedded in economy and subject to the economic relations. Taking inspiration from the arguments for the recognition of invisible labour put forward by Marxist feminists, Praznik calls for a demystification of creativity and supports the imperative of artistic remuneration, as a necessary step towards a broader goal of redefining value and labour in our society.
Feminism seems to be gaining momentum in many countries, but most organisations and groups are still working on the basis of patriarchal standards. The ‘feminisation of politics’ includes different elements, which all aim to change the way activism and politics (in a broad sense) are done. A feminist way of organising includes considerations such as gender balance, building power through cooperation, collective leadership, democratic decision-making, care (for peers, for dependent beings and for oneself), intersectional understanding of issues, and non-violence.
This essay is the programme document of a research project Porozumienie (Agreement) at the Powszechny Theatre in Warsaw, about the participatory transformation of the public theatre ‘Powszechny Theatre’ in Warsaw into a feminist cultural institution. A year of research and interviews with employees resulted in texts and practical steps, such as the establishment of an arts and programme board. The authors of the project were Agata Adamiecka-Sitek, Marta Keil, and Igor Stokfiszewski.