Lina Attalah is chief editor of Mada Masr, a media organisation based in Egypt. She has worked in journalism in Egypt and the Middle East for over a decade, besides being active as a writer and in the cultural sector. In RESHAPE, she has conducted conversations with the various trajectories’ facilitators.
Shelagh Wright and Peter Jenkinson, both based in London, have been supporting creative and cultural work for progressive social and political goals throughout the world for many years. Their current projects include ODD, an action research ad/venture exploring positive deviance within socially-engaged cultural practice and creative activism. They are also involved with the pan-European Laboratories of Care programme and with investigating the contribution of cultural and creative activists to the new global Municipalist movement. In the context of RESHAPE, they have been the facilitators of the Art and Citizenship trajectory, asking the question: How can art radically reimagine new forms of citizenship and empower us to act? Here, active citizenship is a central connecting point, on which we expound in this conversation.
Marta Keil is a performing arts curator and researcher who co-runs the Performing Arts Institute in Warsaw, Poland. She has collaborated as a curator and dramaturge with a number of artists and works on a regular basis in a curatorial tandem with Grzegorz Reske (ResKeil). She is also the editor of several publications on performance and politics. She has been the facilitator of the Transnational/Postnational Artistic Practices trajectory in RESHAPE, which engaged with questions of imagining an artworld ‘after the national’, starting from the broader notion of the political map and how it affects cultural practices. In this interview, she spoke to us from Warsaw, about some of the processes and outputs of her trajectory within RESHAPE.
Nike Jonah is a research fellow with the Royal Central School of Speech and Drama at University College London and is also the lead for the Pop Culture and Social Change initiative at Counterpoint Arts. She engages in questions of strategic development in the cultural sector and across creative industries. In the context of RESHAPE, she was the facilitator of the solidarity economies trajectory, where questions of how art and cultural projects can be supported for their potential and not for where they are coming from have been raised. In this conversation, we address how the concept of solidarity funding was unpacked, and how the different projects and prototypes potentially manifesting it emerged.
Pedro Costa is professor at the Department of Political Economy at the ISCTE – Instituto Universitário de Lisboa and director of DINAMIA’CET-iscte (Research Center on Socioeconomic Change and Territory). An economist with a research specialization in urban and regional planning, Costa works on areas of territorial development and cultural economics. In the context of RESHAPE, he was the facilitator of the trajectory Value of Art in the Social Fabric, where the question of how to better understand the impact, tangible and intangible, of artists and their work on the local context was raised. In this conversation, we explore some of the processes and outputs of this trajectory.
Katarina Pavić is a cultural worker and activist, who worked in the independent cultural scene in Croatia and the wider region of former Yugoslavia since 2005. Her work has combined advocacy and research at the intersection of civil society development, activism, and cultural critique. She has been the facilitator of the fair governance models trajectory of RESHAPE, which describes it as a ‘reflection-oriented process, where its focus – governance of artistic and cultural institutions and collectives – functions simultaneously as a form of critique and an open invitation to imagine and practice a different way of being-in-common’. In this conversation, she spoke from London where she pursued her MA in culture industry and to which she has just moved back.