Impressum
Editorial team of Method, Prototypes and Zeitgeist materials
Dirk De Wit
Milica Ilić
Sofie Joye
Marijana Rimanić
Coordination
Eva Peeters
Reshape visual identity
Dejan Dragosavac Ruta
Website design
Ana Labudović
Website programing
Slobodna domena (Marko Vuković and Stjepan Vrljičak)
Reshape illustrations
Sanja Stojković
Design of the Department of Civil Imagination prototype
Ella Britton
Proofreading of Method, Prototypes and Zeitgeist materials
Leo Reijnen
Mari Shields
Francisca Rojas del Canto
Corrections of Method, Prototypes and Zeitgeist materials
Niels Latomme
Big THANK YOU to all who contributed to the work of RESHAPE, namely:
3 137 artist run space, Abdou Benattabou (Association Zanka 90), Agus Giralt, Alba Arnau, Alexis Zafiropoulos, Allae Hamioui (Djebli Club), Amina Mourid & Youssef El Idrissi (Atelier Kissaria & Think Tanger), Ane Alsløv & Ane Bülow (Danish Arts Foundation), Antoni Rayzhekov, Antonia Folguera, Arber Aliaj & Haider Al Timimi (Jong Gewei & Kloppend Hert), Ariadna Rodríguez, Asena Günal (DEPO), Banu Pekol, Blanca Callén Moreu, blueFACTORY, Branka Stipančić, Carine Meulders, Christoph Joerin (TRNSTN), Christopher Sand-Iversen (SixtyEight Art Institute), Coòpolis, Corinne Skaff, Cornelia Dunck, Cric Print, Cristina Alonso (Teatre L'Artesá), Danijela Jović (EACEA), Effie Samara, Glasgow University, Egil Bjørnsen (Development Platform for the Performing Arts), Elena Carmona (Graner), Ella Britton, Ellie Harrison (Radical Renewable Art and Activism), Elliot Pedrini, Eva Meyer-Keller, Evita Tsokanta, Fabrik Potsdam, Farah Laporte & Eric Kempeneers (Refu-Interim & Cirq), Felipe Ibarra Eliessetch, Francesco Russo, Francisco Rubio Perera, Geert Opsomer (TransfoCollect), Gilberte Voorspoels, Globe Aroma, Heribert Major-Kremer, Herman Bashiron Mendolicchio, Ilya Noé, Iñaki Álvarez, Institut français Ecosse, Isabel Ferreira & Lívia Diniz (LABEA), Iva Sveshtarova, Jacob Lillemose (Art Hub Copenhagen), Jana Svobodová (Archa Theatre), Jonas Rutgeerts, Josefine Pedrini, Junaid Sarrieddeen and Omar Abi Azar (Zoukak), Kenzo & Nina (Cross Club), Khadija Biari (Wadiya), Kunstencentrum Vooruit, La Lleialtat Santsenca, Laie Vidiella, Lala Deheinzelin, Laurence Barone (Creative Europe), Lene Bang, Leonid Drujinin (Joyful House), Les Ballets C de la B, Liam O'Connor, Louna Sbou & Nina Martin (KulturNeuDenken), Lucia Kasiarova (Alta Studio), Luciana Chait, Magda Müllerová (Crative Europe desk, Czechia), Manuela Sarkissyan, Maria Konomi, Rosana Sanchez & Aris Spentzas (OnMaterials), Marielise Aad (Hammana Artist House), Marion Aland, Marta Smolíková (Open Society Fund), Marta Vallejo Herrando, Martin Stiefermann, Mary-Rahma Homman, Miglena Gerasimova (Toplocentrala), Moda Sahnesi, Myriam Prongué, Myrto Katsimicha, Nadine Patel, Nataly Baudy, Natassa Dourida (Communitism), Nelly Stoeva, Olive Wild, Omar Berakdar (Arthere Istanbul), Ondřej Hrab (Archa Theatre), Penny Travlou (FAC: Feminist Autonomous Centre for Research), Rabía Williams, Res Balzli (Stiftung Wunderland), Rima Mismar (Arab Fund for Arts and Culture), Ronny Heirmans, Saliha Yavuz, SALT, Samuel Céspedes, Sara Mediouni (Cinémathèque de Tanger), ScottishSculptureWorkshop, Sean Bradley (Citizen Edinburgh and Evergreen), Secil Yaylali & Özgür Demirci (PASAJ collective), Silvia Coarelli (Tabadoul), Social Bite, Stefan Prohorov, Stefan Shtereff, Gergana Dimitrova, Ivan Nikolov, Ralitsa Zorteva and Delcho Delchev (Association Toplocentrala), Susanne Hviid, TAK (Design Atelier Kadıköy), the Mujeres Pa'lante team (La Fundició and Radio Cava-ret), Tim Bruggeman & Eline Vermeir (De Koer), Tobias Van Royen, Toni Cots, Vahid Evazzadeh, Vassilis Noulas & Kostas Tzimoulis(EIGHT critical institute for arts and politics), Violeta Ospina, Vitto Valentinov, Viviana Checchia (School for Civic Imagination), Willy Prager, wpZimmer, Xavier de Luca, Xenia Kalpaktsoglou, Yohann Floch, Yvonna Kreuzmannova (Tanec Praha Festival and Ponec Theatre), Zeynep Öz, Zeyno Pekünlü
The RESHAPE project was funded with support from the European Commission. This communication reflects the views only of the authors, and the Commission cannot be held responsible for any use that may be made of the information contained therein.